May 20
4 comments
May 20
4 comments
By David
May 20, 2024
You are unauthorized to view this page.
Session expired
Please log in again. The login page will open in a new tab. After logging in you can close it and return to this page.
There was a problem reporting this post.
Please confirm you want to block this member.
You will no longer be able to:
Please note: This action will also remove this member from your connections and send a report to the site admin. Please allow a few minutes for this process to complete.
Again, so many juicy kernels of inspiration and craft work. I will use all of them but this one landed hard in my heart:
Tactic: Draw from your experiences and observations to create authentic, relatable moments in your story. These genuine touches can help your audience connect more deeply with your narrative. Tell your truth and hope the world feels your honesty.
This makes so much sense in regards to films that won Academy Awards like the Brutalist for example. It didn’t follow conventional standards (three-act arc), definitely the first ten pages didn’t pull me in and as a viewer I don’t understand how it won three awards but I see it as being non-linear and heavily emotional where the viewers who decided it was academy worthy possibly felt that it was different and broke the usual rules of screenwriting.
Thanks for this insight!
Correction – Sound of Music with Maria. Same lady … in a different wig.
I found myself reading paragraphs over and over to imprint it in my mind. Our culture invented jazz and it seems like screenwriting can be an extension of that creative energy. Like how John Coltrane took the Disney song, MY FAVORITE THINGS, from a kid’s movie and made it one of the greatest instrumentals ever made. His energy and emotion is fused into it so strongly, the listener forgets Mary Poppins had anything to do with it. I’ll use these ideas to improve old scripts and outline for future projects. Thanks David