February 6
7 comments
February 6
7 comments
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Such an inspiring and interesting read ! I definitely agree with the comment above of the importance of executing a proof of concept.
David, that was a masterful analysis of the problems black creatives face in this industry. I’ve been listening to Roland for long while now, and he discussed Taraj’s comments about pay equity and how black creatives can leverage their power. I’ve been listening to Kountry Wayne’s interview on Club Shay Shay, and he talks about the same issues. I think everyone should watch Kountry Wanye’s interview because he definitely has leveraged his power as a creative and controls his content.
This is so vital!!! Thanks for this post! I think about how valuable it was to have a network like UPN especially when I was a kid. It was refreshing to see different dynamics of black families tackling important issues that are often ignored.
I had a conversation with the Director of Queens (Nat Geo) and the premise of our talk was discussing how black people are not telling our stories like for example when you see docuseries about animals and their habitats in Africa, before there wasn’t a single Black or African person within the production crew. How can you tell a genuine story about Africa if you are white? It doesn’t add up.
But with this new age of DIY media platforms, more of us have access to tell our stories.
Thanks so much again!
Three words: Proof of Concept. Creating a proof of concept for our stories is not just about showcasing our talent; it’s about amplifying DIFFERENT diverse voices and narratives that have historically been underrepresented in mainstream media.
Proof of concept serves as a powerful tool for us to demonstrate the viability and marketability of our stories. In an industry where traditional gatekeepers may overlook or undervalue DIFFERENT diverse storytelling, having a tangible representation of our vision can be a game-changer. It allows us to take control of our narratives, ensuring that our stories are told authentically and with integrity.
Moreover, a proof of concept catalyzes change within the industry. By showcasing compelling stories that resonate with audiences from all walks of life, we challenge outdated stereotypes and misconceptions, paving the way for more inclusive and representative storytelling.
Ultimately, creating a proof of concept is about empowerment. It’s about giving ourselves the platform and visibility we deserve to share our unique stories with the world. In doing so, we not only inspire future generations of storytellers but also contribute to a more equitable and diverse entertainment landscape for all.
Excellent observation. Proof of concept led to Insecure, Dear White People, the reboot of The Fresh Prince, and Tyler Perry’s entire career, to name a few. In addition to all the points you raised, there’s the reality of additional leverage when negotiating distribution or production agreements especially when you can walk in the door with an audience and full pockets. It’s also nice to start your career off with several checks because you’re getting paid for writing, marketing, casting, and producing. You will also be in a greater position to keep licensing and other rights. However, the challenging part, as mentioned in the article, is that getting a successful proof of concept requires mastering several skill sets beyond just writing. Yet, it can and should be done. For those hearty enough to forge their script idea into a masterful novel, web series, play, podcast, or blog that reaches a reliable audience of a few hundred thousand while also putting $$$ in your pocket the skills you develop climbing that mountain will assure your flag will stay planted there for the long while.
Agree. As Issa says, “It’s easier to reach out than up.” Onward and upward.
Just watched Roland talking about Killer Mike getting arrested at the Grammys and making him do a perp walk, in cuffs, through the crowd of his peers over a misdemeanor offense – that was probably justified. Caste system is in full effect. They may want more Amos and Andy, but new Killmongers (Black Panther) are getting born every day.